Ninan Auassat: We, the Children

At its core, Ninan Auassat: We, the Children follows a story that unfolds like this: Known for her intimate films, director Kim O’Bomsawin (Call Me Human) invites viewers into the lives of Indigenous youth in this absorbing new documentary. Shot over six years, the film brings us the moving stories, dreams, and experiences of three groups of children and teens from different Indigenous nations: Atikamekw, Eeyou Cree, and Innu. In following these young people through the formative years of their childhood and right through their high school years, we witness their daily lives, their ideas, and aspirations for themselves and their communities, as well as some of the challenges they face.

The pacing rewards patient viewers, layering small details that pay off later. Themes of ambition, loyalty, and consequence run throughout. For a frame-by-frame breakdown, the dedicated Wikipedia entry and IMDb trivia pages are excellent companions.

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There are plenty of documentary titles competing for your attention, so why this one? It commits to its ideas instead of hedging, which is rarer than it should be.

At roughly 93 minutes, it respects your schedule while still going deep. Communities on Rotten Tomatoes and Metacritic keep the conversation alive years after release.

Ninan Auassat: We, the Children has drawn a solid response that tracks with the word-of-mouth buzz it has generated. For a fuller picture, cross-reference scores on IMDb, Rotten Tomatoes, and Metacritic before deciding.

The consensus is clear: this is a film that knows exactly what it wants to be.

If documentary is your lane, Ninan Auassat: We, the Children is close to essential viewing. Give it a fair shot and judge for yourself — it rewards an open mind. Add it to My List, hit play, and tell us what you thought below.